[Oconnel]

Z tego co czytałem, w wersji podstawowej krew będzie. Nagość - będzie, ale bez machania fajfusem na ekranie :D Ten film ledwo idzie przerobić na PG-13, nie zdziwie się jeżeli dostanie jednak ostrzejszą kategorię. Sceny były nagrywane na żywo, i dopiero według tego powstawały animację (przynajmniej wydaję mi się że gdzieś o tym czytałem). Całe szczęście, według osób które oglądały już pierwsze 20 minut filmu, nie ma efektu "martwych oczu" jaki występował np. w Polar Express.

EDIT:
O tutaj jest mowa o procesie kręcenia zdjęć oraz właśnie o efekcie martwych oczu. Warto się zapoznać:

Cytat:Shot in 3D, the footage looks pretty amazing, combining elements of 300, Lord of the Rings and The Polar Express in equal (and equally effective) measures. The main problem director Robert Zemeckis' Polar Express faced was its (literal) absence of life behind the CGI characters' eyes, and Beowulf appears to have conquered this technical challenge: all of the characters act and react with a palpable sense of reality, not to mention a febrile kind of unpredictability, creating a much more authentic and evocative emotional backdrop for the larger-than-life story. Meanwhile, the general proficiency with which computer-generated imagery is rendered has evolved by leaps and bounds since those earlier films, creating an increasingly believable but nonetheless spectacularly melodramatic universe in which Beowulf's adventures are concrete and also fantastic.

Following the screening of footage, Gaiman and Avary fielded questions from the crowd. Describing the shooting process as "characters from Tron performing Shakespeare in the round," Gaiman beamed about the way in which director Zemeckis realized this epic story by creating an environment for real performances and then animating them, rather than the other way around. When asked why they chose to actually use the voice actors' faces rather than reimagine them for the characters, Gaiman explained that they actually didn't do that for everyone, notably Beowulf, who looks little or nothing like actor Ray Winstone. He went on to say that in some cases - including with Anthony Hopkins and John Malkovich - he saw no reason why they shouldn't use the very evocative countenances of the folks involved, but the CGI process allows the filmmakers a remarkable opportunity to make necessary changes to tell the story, including aging the lead some 50 years for the third act.